• Home
  • Jewellery
    • Alison's slide show
  • Ceramics
    • Narrative pots
    • More pots
  • Custom commissions
  • Getting here
    • Travel by car
    • Travel by public transport
  • Contact me
  • Ceramics shop

The 18 steps to making a bead necklace

Design 

Think of a concept and work out the practicalities of wearing it, and then how to make it
Picture
Picture

Select the basic colours

The primary colours of turquoise/cyan, pink/magenta and yellow are used for most colours, along with black and white and some special clays such as pearl  or translucent

Mix the colours for the project

Most beads have a complex mix of colours, sometimes blended still further into graded colour shifts in 'skinner blends'. There are usually more colours included than you might expect
Picture
Picture

Test the colours

Some colours and blends change during the heat curing process and the raw mix may need to be adjusted to get the right final effect.

Make the cores

To reduce weight, many beads are made with a hollow core, in this case flat-backed rounded domes
Picture
Picture

Make the designed pattern

At last, some artistry!  Make the patterned surface veneer to cover the front and back of the beads

Cover the back of the bead

Raw clay is adhered to the cured core using the liquid curing catalyst, and the whole lot re-cured
Picture
Picture

Prepare for stringing

Carve out a channel in the hot clay before it sets hard, so that the stringing thread or wire can pass easily through the bead

Finish the core

Use a very thin layer of clay softened with extra catalyst to glue the domed front of the bead core to the carved and ready veneered back.  Cure the whole thing yet again
Picture
Picture

Finalise the bead shape

Wet and dry sanding with fine grade papers gets the beads symmetrical,  smooth and to the design shape

Mark the stringing path

Forgetting to mark where the stringing holes lie is a mistake you only make once, as the bead is ruined if you can't find the holes
Picture
Picture

Select the decoration

Choose the areas of the surface veneer to be used for the front of the bead, and cut to the right size.  Make sure no marks appear on the surface during the process

Cover the core 

Stretch and mould the surface veneer to shape, using more of the curing catalyst and rolling the surface smooth and finger-print free
Picture
Picture

The final curing

Cure the beads the final time, at last it is beginning to look like a necklace

Three polishing stages

First the  hardened beads are wet sanded with special abrasive cloth, using grits around 5/1000 of a millimetre in diameter.  After washing in clean water, the beads spend the night in a polishing machine, and finally polished to a soft shine with a microcrystaline wax 
Picture
Picture

Stringing

Deciding which, if any, supporting beads should be added to enhance the overall design is a major step.  The extra beads can be semi-precious stones, silver or gold, plain or patterned - all giving a different effect.  The 'thread' is actually many-stranded stainless steel cable, covered in nylon in an appropriate colour.

Finished!

Picture



... and a close up to show the amazing detail that can be achieved.  This bead is just over 3cm in diameter
Picture
your style | your colour | your size
handmade at EditionUniques